Monday, October 21, 2013

The Bus Stops at Every Baobab Tree: Dispatches from a Volunteer in Tanzania (Post # 5) (July 1999 - July 2000)

          To describe a daladala with mere words is really not possible. Sardine can on four wheels with an engine is a feeble description; it doesn’t bring to life any of the subtleties of the actual daladala experience. In a minivan where, at most, nine people including the driver would be safely and comfortably seat-belted in the U.S., there are eighteen people jam-packed into our van with no seat belts in sight. I’m “seated” next to the sliding door that is sometimes closed at high speeds, but often remains open as the daladala doorman (it’s always a he) hangs out and searches for more passengers. When he spots a prospective customer, he raps on the roof for the driver to stop.  My nostrils are assaulted by the smell of body odor—deodorant is a luxury that most people can’t afford. The vehicle repeatedly careens forward and then stops suddenly. I have no more than four inches of the edge of a seat and four men are draped over and around me, each of us hanging on for dear life.  All of the passengers move in a synchronous forward and backwards lurch—a spasmodic, abstract dance.
Our daladala heads north out of town on the Nairobi-Moshi road, so-named because it is the only road leading to Nairobi to the north and Moshi to the east.  The driver slows down only for the few well-placed, speed bumps, which are the only things preventing daily mass bloodshed on the roads. Depending upon the number of stops, which are unlimited and unpredictable if there's a willing customer with 100 shillings (13 cents), we reach Sakina in about fifteen minutes. There is the landmark pointed out by Nancy on our first day in Arusha: a large Coca-Cola billboard sign with "Sakina” in black bold letters on the bottom. I don’t know what “Sakina” means, I only know that this is our stop.
Sakina, my neighborhood, is behind the Azimio compound where men working for the army and their families live for free. There is no driving inside the Azimio compound but then there are no roads or car owners either. The compound is walled-off and the gate is locked at 10 p.m. every night. The quickest route to our house is to go through the center of Azimio. 
Teresa and I walk up a rocky, uneven dirt path and within moments we hear a childish chorus of "Mzungu" or "Good morning teacher" that doesn’t stop. As we walk, I can’t help but notice that the lower third of my body is coated in dust—a silky sand-colored grime the consistency of sifted flour.
“Mzungu, Mzungu, Mzungu…” The chanting is incessant. Technically, it means “European person” in Swahili, nothing derogatory or racist, but it bothers me.
 Theresa seems to be oblivious to it. She smiles, her brown eyes warm and friendly and says a hearty “Jambo” (hello) to everyone we meet. Theresa is the kind of person I’ve always wanted to be—calm, thoughtful, and patient. She is solid goodness---no hidden agendas, no skeletons in the closet, and completely non-judgmental. Pretty much the opposite of me.
I’d met Theresa at O’Hare airport just before we caught our first flight to London and then to Dar es Salaam. Somehow, Theresa recognized me from the blurred black and white photos of the thirteen Tanzania 1999 Visions in Action Volunteers sent to us a few weeks ago. As we sat in the departure lounge, just minutes away from boarding, the realization that I was about to set off on a yearlong adventure caused me to regress. For I moment, I was back in grade school. I had a sudden childish impulse to ask her "Do you want to be my friend?"
The lack of indoor plumbing brings life in Tanzania to the great outdoors. Mothers are doubled over bathing their children in plastic washtubs; naked toddlers squat into metal pots that double as chamber pots; grown men brush their teeth spitting the chalky froth onto the dirt pathway just in front of us; others stroll to the public bathhouse in broad daylight, clad only in a towel. Women must bath in the dead of night since I never caught sight of them near the bathhouse.
                A child happily splashing in the water freezes at the sight of us. Imagine a stone-age tribe from Papua New Guinea, dressed in loin clothes, carrying spears and covered in war paint bursting into your living room one evening and you get the idea. The mother points to us and says "Mzungu" as we pass.
Homes appear haphazardly at odd angles, like a giant Monopoly board that has been bumped. But we are a very long way from Park Place and Boardwalk.  Most are nothing more than one or two room concrete-blocked sheds or a shack consisting of rotting boards held together with rusty nails and dried mud, roofed with a flat sheet of corrugated tin.  Like flags, curtains flutter in each doorway, providing a thin veneer of privacy, only a stone's throw from the neighbor's curtained door waving back across the path.  Mother hens with their chicks in tow, like a toy train run back and forth, are late for mysterious barnyard appointments. Bicyclists ringing their bells whip by and red-cloaked Maasai herding goats or cows and using their spears as walking sticks have the right of way. The only thing to do is to step off the path, hopefully in time, and wait until they pass.
The path opens up into small plots of maize and beans tended by women and teenaged girls. The women brought the water from the stream some distance away in jerry cans weighing twenty kilos, balanced perfectly on their heads, without spilling a drop.
Little dukas selling everything from eggs to kerosene to beer are everywhere. Old men sit on benches outside these dukas leaning on their canes. I will see them in the mornings when I leave for work and they will still be there in the afternoons when I return. And there are young men with them, also sitting, doing nothing. Women’s lib hasn’t quite caught up with the economic realities of the developing world. Women are responsible not just for housework, raising the children and cooking the meals, but also fetching the water and firewood for cooking, cultivating the crops and selling vegetables to earn a few extra shillings.
We’ve been walking along the dirt path now for ten minutes when we come to the cassava lady who is always just outside the gate leading out of Azimio and into our neighborhood of Sakina. A wizened woman shriveled inside her bright yellow and pink print dress with a green scarf covering her head, sits on a tiny bench. In front of her is a pot that looks like a wok, sizzling with deep-frying cassava, cut into pieces the size of large carrots. We’re feeling adventurous so we each buy a piece. The woman gives us a huge, nearly toothless smile. Neighborhood men and boys gather round and stare. One of the men says something to the cassava woman and they laugh. Arusha is a tourist town because it’s the jumping-off point for safaris to the Serengeti and Ngorongoro Crater, but tourists don’t go to Azimio or Sakina. We are probably the first foreigners who have purchased cassava from her.
“This tastes like a French fry,” says Theresa after it has cooled enough to take a bite.
I agree but thinking of French fries makes me homesick.
We pass through a gate the size of a door onto the crest of a small hill. To the southwest, far beyond the outskirts of Arusha, are bell-shaped bluish hills rolling away into the African plains. I like to imagine I'm looking right into the heart of the Serengeti and somewhere out there is a lion on the hunt or a hyena tending her cubs.